Bob’s
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J. Massenet

Reviews — The New York Times

From the New York Times January 23, 1909

MARY GARDEN AS THAIS
An Enormous Audience Attracted
by the Repetition of Massenet’s Opera.

     As might have been expected after the turmoil of the week, the Manhattan Opera House was crowded last night when Miss Mary Garden again appeared in the title rôle of Massenet’s “Thaïs,” which she has lately refused to share with another lyric artist. Every seat was occupied even in the gallery and upper boxes. The performance was uncommonly spirited in the circumstances, and was heard and seen with many manifestations of pleasure. The dramatic quality of Miss Garden’s portrayal of Thaïs is altogether remarkable, and, viewing it only in this light, one who remembers vividly much noteworthy histrionism, is inclined to give it rank with such rare achievements as Bernhardt’s Dona Sol among memorable examples of tragic acting.
     The splendid paganism of the early scenes and the conflict of regret, doubt, apprehension, and terror in the second act are effectively contrasted with the perfect denotement of the mood of submission and eager inquiry of the woman converted, under the stress of the monk’s religious passion, to a creed she but dimly understands. Unusual skill of expression is combined in the impersonation with uncommon pictorial beauty and plastic grace. It fascinates and compels the sympathy. Vocally the portrayal is at its best in the beautiful scenes following the instrumental “Meditation,” but the utterance of this artist is always distinctly in accord with the emotion she is depicting; she is, truly, a lyric histrion, and consideration of “vocalism” or mere virtuosity in describing her performances is clearly incongruous. The duet with Athanael in the oasis was, as usual, rapturously applauded.
     In remembrance of Louise, Melisande, and Jean, the juggler, Thaïs may not seem Miss Garden’s greatest rôle, but the influence of her performance measurably increases, and its great popularity was well attested last night, when, of course, remembrance of her late victory increased the volume of the applause. M. Renaud repeated his facile and moving portrayal of Athanael, while M. Valles, M. Vieuille, and Mlle. Trentini filled their rôles effectively. Mr. Campanini conducted in his accustomed sympathetic and skillful manner.

Last updated December 29, 2006