|
acchus
Opéra en 4 actes
Libretto by Catulle
Mendès
Music by Jules Massenet

First Performance:
Opéra, Paris, May 5, 1909
First Cast:
|
Ariane, soprano |
Lucienne Bréval
|
|
Queen Amahelli,
contralto |
Lucy Arbell
|
|
Kéléyi, soprano |
Antoinette
Laute-Brun |
|
Bacchus, tenor |
Lucien Muratore
|
|
Révérend
Ramavacon, bass |
André Gresse |
|
Silène, baritone |
Marcelin Duclos
|
|
Mahouda, baritone |
M. Triadou
|
|
Pourna. Baritone |
M. Nansen
|
|
Anada, baritone |
M. Cerdan
|
|
Manthra, mime |
Blanche Kerval
|
|
Clotho, actor |
Mlle. Brille
|
|
Perséphone, actor |
Renée Parny |
|
Andéros, actor |
M. de Max |
|
Conductor |
Henri Rabaud |


Act I takes in the lowest region of Hades: Tartarus (just
like Ariane Act IV). Persephone recalls her visit by
Ariane and the fragrance of the roses she brought. Persephone asks
Clotho (the Fate who spins the yarn of life) to tell her Ariane’s
destiny. Clotho tells all, but suddenly the yarn breaks (If Siegmund
and Brunnehilde enter, it’s going to be a long night!) and Ariane’s fate
is incomplete.
The ground opens and Anthéros, the god of revenge emerges telling
Persephone of the unrequited love. The vision show Bacchus arriving in
Naxos aboard a ship and Ariane inviting him ashore. The vision slowly
dissipates and Persephone angrily throws her black lily to the ground,
only to be danced around by her companions.
Act II takes place in Nepal where the blinding rays of the
sun of the afternoon flood the stage. The Révérend Ramavacon, old and
bent under the weight of old age, meditates silently at a statue of the
Buddha. Bacchus’ laughter violates the old man’s meditation. He and
his army has invaded the land of the Sakias, ruled by Queen Amahelli.
He brings his new religion of intoxicating life. Ramavacon invokes the
giant monkeys through his invocation while hidden behind the statue.
The maenads show the wine growers where to plant their vines. As
Bacchus arrives in his golden chariot, his victory is proclaimed.
Bacchus extols the beauty of life and its pleasures of love and
merriment. Ariane also tells of her pleasure since he has joined her.
The mood of pleasure is interrupted by the attack of the apes on
his army. Bacchus runs off without any armor or weapon. The struggle
is depicted behind a closed curtain with music. When the curtain rises,
Bacchus and his army have been beaten by the apes. The stage is strewn
with corpses and moaning bodies.
Queen Amahelli and Ramavacon survey the totality of their victory.
Followed by a procession of priests and Hindu warriors, the Queen is
proud. Ariane, who escaped the annihilation, caresses the body of her
fallen god. But he is a god and he returns to life. The Queen orders
them chained and to be brought to her for questioning. As Bacchus is
lead off, Ariane collapses under the icy stare of the Queen, who turns,
satisfied with herself, and hurries to catch up with her new hero.
Act III Scene 1 takes place in the long reception hall of
the Queen’s palace. On her throne, she stares at the statues of the
Hindu gods. But she cannot forget the handsome prisoner. Bacchus is
brought in chained, but he shows his godhood by removing the chains
himself. The questioning begins by asking him what his name is.
Bacchus enchants the court with his passionate extolling of the virtues
of joy and the smell of wine.
The Queen decides to question him more severely. She commands the
court to leave and, after the do, she confesses her love for the god.
Bacchus asks her to take Ariane to her court as a friend. The Queen has
Ariane brought in. She is weak and threatened by the Queen. Bacchus
protects his wife and leads her off. The Queen can prostrate herself
before the statue of Buddha. An orgy is announced.
Act III Scene 2 takes place in a clearing in the forest at
night with the bright moonlight. The orgy is about to start. The
ballet called “Les Mystères Dionysiaques begins. The seven parts are
Nocturne, Faunes et Satyres, La Procession des Offrandes, Chasseresses
et Bacchantes, Initiations, Le Baptême du Vin and the Bacchanale. As
the ballet concludes, a Bacchus-like god appears more savage and
masculine and divides the bread and wine among the worshipers.
Act IV Scene 1 takes place in a large room in the Palace of
the Sakias. Queen Amahelli and Ariane sit watching Greek and Hindu
girls working on a large embroidery. The wine has appeased the Hindu
warriors and the monkeys who have returned to the forest.
The jealous queen says that the trees being cut down outside is for
the demanded sacrifice of Bacchus to the gods. Only can he be saved if
a loving woman offers herself instead of the god. Ariane, of course,
does not hesitate to offer herself in his stead. She submits herself to
the priests and priestesses of Zeus. They cover her with a black veil
and lead her to the pyre.
Act IV Scene 2 takes place on a rocky mountainside. The
alter of human sacrifice has been erected in front of the temple of
Zeus. One of the priestesses has given Ariane a dagger to use when the
flames become too great. She prays to Zeus to claim her body in
Bacchus’ stead. She then uses the dagger and collapses. At this moment
Bacchus appears unable to save his wife. Bacchus prays to Zeus and
evokes his wrath on these people. The fire engulfs the land and over
them in the sky is Ariane with her hair trailing like a comet.

1909

Introduction:


The authors

Catulle Mendès

Massenet around 1909
The performers
Sets & Costumes
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Last updated
March 17, 2008 |