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e ortrait de anon

Opéra-comique en 1 acte

Libretto by Georges Boyer

Music by Jules Massenet

First Performance: Opéra-Comique, Paris, May 8, 1894

First Cast:

Le Chevalier Des Grieux, baritone

Lucien Fugère

Tiberge, tenor

Grivot

Jean, mezzo-soprano

Elven

Aurore, soprano

Marie-Sophie Laisné

Conductor

Jules Danbé

 

   As the curtain rises on De Grieux’s work room.  He listens to a chorus of townpeople praise the morning.  De Grieux hears the voice of Aurore, the step-daughter of his friend and neighbor, Tiberge.  He tries to continue working, but the music brings back the memory of his youth and his suffering.
   De Grieux’s nephew, Jean, the Vicomte de Mortcerf, arrives for his daily history lesson.  He reads a passage on the righteousness of Scipio Africanus, who considered duty above love of a woman.  But innocently, Jean is not convinced.  He continues to confess his love for Aurore and asks his uncle to consent their marriage.
   Seeing the similarities between their love and his affair with Manon, De Griuex  refuses to consider the match.  Even with the arrival of Tiberge, their argument continues and De Grieux storms off at the sight of the young couple.
   Tiberge leaves the couple alone, and they sing of their death.  Only in death can they be united!  They go through all possible manners of death and reject them all.  They then dream of what their life would be together.  During these amorous wishes they knock off a box from De Grieux’s work table.  From the box comes a little portrait of a beautiful lady.  They admire her image.
   Tiberge returns and sees the portrait and gets an idea.  He takes Aurore off and leave the young man puzzled.  With the return of his uncle, Jean is ordered to leave the house that evening.  After Jean has gone off, De Grieux returns to the work at hand.
   As night falls, a song is heard and what does De Grieux see, but the image of Manon, just as she appeared to him at Amiens.   As she comes close, he cannot help but notice the similarity to his lost Manon.  As she begins to leave, De Grieux stops her.  As he stands in her presence, Tiberge and Jean rush in with lanterns and deception is revealed.
   Aurore’s resemblance to Manon is not an accident.  Many years ago, Manon’s brother came to Tiberge and asked him to take care of Lescaut’s only child before he died.  When De Grieux remembers the joy of his love for Manon, he cannot stand in the way of Jean and Aurore’s happiness.

1894, English

Introduction:

The authors


Massenet around 1894

The performers


Fugère as De Grieux


Laisné as Aurore

Sets & Costumes

 

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Last updated March 17, 2008