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L'Aiglon (The Eaglet)
Opera in 5 acts
Libretto by Henri Cain, after Rostand
First performance: Opéra de Monte Carlo, March 11, 1937
Cast:
l'Aiglon, Duc de Reichstadt
Séraphin Flambeau
Le Prince de Metternich
Le Maréchal Marmont
Frédéric de Gentz
L'Attaché Français
Le Chevalier de Prokesch-Osten
Thérèse de Lorget
Marie-Louise
La Comtesse Camerata Background
Synopsis
Act I "Les
Ailes qui s'ouvrent" - The Lacquer drawing room at Schoenbrunn
Castle: This drawing room is used as private salon by the Duke of
Reichstadt. Metternich endeavors to remove from around the young Duke of
Reichstadt everything that might in some way remind him of the Emperor of
France. But the Duke's heard has remained French despite all efforts and
even in spite of his frivolous mother Marie-Louise. He shuns love and
pretends not to see or notice the tender feelings of Marie's young
Companion, Thérèse de Lorget. The little wooden Austrian soldiers used
by him as playthings have been by some unknown hand changed into French
soldiers. Metternich comes into the room followed by a servant who takes
away the box of soldiers but sotto voce says to the Duke "I shall
return them to you." This servant is Flambeau, a "grogand"
an old Napoleon soldier and the Duke guesses that he has a Frenchman near
him. Flambeau induces the Duke to flee to return to Paris where he is well
loved. The Duke hesitates, but in the end makes up his mind to go. That
evening Flambeau will see on the table something that he is not accustomed
to seeing.
Act II "Les Ailes qui battent" -
Same Setting. Flambeau is looking for that particular thing which was to
act as signal between them. He suddenly sees the Emperor's hat and pulls
up in military salute. Metternich enters; he also notices the hat. He
first makes fun of it, then memories return to him, his former hatred
rises anew and as if slightly hallucinated, he wonders if the Emperor is
still really there near him, if he is not suddenly going to see the
Grenadier guarding the entrance. And all of a sudden the Grenadier is
there himself recalling the hated Bonaparte. He is there on the threshold
and this Grenadier is Flambeau in full uniform. But the Duke appears and
orders Flambeau to fly. Alone with the Duke, Metternich takes him in front
of the looking-glass and tries to discourage him, pointing out that he has
no likeness whatsoever with Napoleon but that the German and Spanish
influence is only visible in him.
Act III "Les Ailes meurtries" - A
Ball in the Park. Figures in fancy-dress and masks pass by. The Duke of
Reichstadt appears, he is draped in a long purple coat under which he
wears the white costume of an Austrian officer. But a secret plot has been
planned. The Countess Camerata, so the Duke has been told, will wear
underneath her cloak, a costume similar to his own. The countess is the
Duke's cousin. All the Duke will have to do is change coats with her and
will thus be able to escape unsuspected. Everything happens as had been
planned and the Duke finally escapes with Flambeau.
Act IV "Les Ailes brisées" - The
Plain of Wagram. The Duke and Flambeau are alone on the renowned plan and
battlefield. One by one, little by little their followers join them. In
recalling the glorious memories of Wagram, the Duke and Flambeau grow very
enthusiastic and exalted, they exchange impressions and lose time. The
Police surrounds them. Flambeau kills himself. The Duke thinks he is the
witness of the glorious victory. But it is only a wonderful and heroic
dream.
Act V "Les Ailes fermées" - In
his sumptuous room, the Duke is dying. He bids farewell to those that he
loves, to his mother, to Thérèse. He asks the latter to sing some songs
of France. And to the sound of those tunes and hearing of the country he
loved, he dies. Libretto
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