Opera Books

THE OPERA

EDITED BY
ALBERT HILLERY BERGH

VOLUME IV.

1909

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D’Albert.

     Eugen Francis Charles d’Albert was born in Glasgow on April 10, 1864. His father (who, in spite of the French family name, was a German) was a composer of dance music. Young d’Albert studied first with his father, and later with Paner, Sir John Stainer, Sir Arthur Sullivan and Front, completing his musical education under Liszt. D’Albert’s wonderful technique in piano playing was apparent in his early youth, and from 1881 to 1896 he lived the life of a piano virtuoso, appearing frequently in concerts, and making the tours of the Continent, England and America.
     Besides many important orchestral works and pieces for the piano, d’Albert has composed nine operas. Among the best known of these are The Ruby (1893); The Departure (1900); Tiefland (1903), and Flauto Solo (1905).
     In 1892 d’Albert was married to Teresa Carreno, also a celebrated pianist. Their marriage was not a happy one, and they were divorced in 1895. His present wife is Hermine Fink, the singer. The winter home of the d’Alberts is in Berlin, and their summers are spent at their country place on Lake Maggiore. All of Eugen d’Albert’s operatic work shows richness of
{244} harmony, effective instrumentation and thematic beauty. He exercises great restraint in composition, and produces a consequent sanity of effect that is in striking contrast with many of the musical excesses of to-day.

Tiefland.

     Opera in three acts and a prologue by d’Albert. Libretto adapted by R. Lothar from Guimera’s novel.
     Characters: Sebastiano, a rich landowner; Tommaso, an old man; Moruccio, Martha, Pepa, Antonia, Rosalie, Nun and Pedro, in the service of Sebastiano; the Priest.
     Place, the High Pyrenees and the Catalonian Valley. Time, the Sixteenth Century. First produced at Prague in 1903.
     The shepherd Pedro has long lived a solitary life in the rocky fastnesses of the Pyrenees, seldom seeing anyone except his fellow-shepherd, Nando. He sighs for a wife, and thinks his wish is about to be gratified when his master, Sehastiano, who lives in the valley, brings Martha, an orphan, whom he has forced to live with him, up to the mountains to marry her off to the guileless Pedro.
     Pedro accompanies them to the valley, where the mill-hands know that Martha is Sebastiano’s mistress, and that their master must, of necessity, marry a rich woman. So they scorn the unsuspecting Pedro, whom Martha is to marry. Sebastiano comes again to see Martha at night, but she avoids him by not going to her room, nor does she go with Pedro, although she is sure that he knows nothing of her relations with
{245} Sebastiano. It is through jealousy of the little girl, Nun, the only person who has made friends with Pedro, that Martha learns to love Pedro. When Martha explains to Tommaso that she was Sebastiano’s mistress against her will, the old man advises her to tell Pedro all. The valley life becomes annoying to the simple Pedro, and he wants to return to his solitude in the mountains. Martha wishes to go with him, but Sebastiano lords it over her and will not let her go. Then she shows up Sebastiano as her seducer. He angrily attacks Pedro, but is overpowered by the servants.
     Sebastiano’s prospective bride hears of his conduct and breaks her engagement. With intensified passion he wishes to have Martha again, but she loves her husband, and sends Nun to warn him against Sebastiano. Pedro hastens to protect Martha and kills Sebastiano. Then in his strong arms he carries Martha to his mountain home.

 

Last updated April 20, 2007