Opera Books

THE OPERA

EDITED BY
ALBERT HILLERY BERGH

VOLUME IV.

1909

{113}

Wallace.

     William Vincent Wallace was born at Waterford, Ireland, on July 1, 1814. He received his early training at Dublin, where he was appointed violinist in the theatre orchestra, and conducted subscription concerts. At eighteen he had a severe illness which endangered his life, and at the advice of his physicians he traveled extensively for many years. He first went to Australia, where he was successful in concert work. From there to New Zealand and Van Dieman’s Land, then to India, North, South and Central America, and finally settled for a time in Mexico, where he became conductor of the Italian Opera. Hevisited New York, and in 1846 returned to Europe, where he wrote the romantic opera Maritana.
     
Matilda of Hungary, brought out the following year, was a success; but it was only after a long silence that Wallace returned to the stage in 1860 with Lurline, a work which was very well liked in London. In 1861 Wallace wrote The Amber Witch, produced in London, and this was soon followed by Love’s Triumph and The Desert Flower.
     
Independently of his operatic works Wallace wrote a large number of chamber pieces, such as nocturnes, waltzes and studies. His style shows that he had an
{114} excellent musical education, and that he was bold and original. Wallace died at Chateau do Bayou, France, on October 12, 1865. A short time before his death he began in London the first act of an opera which he was unable to finish.

Maritana.

     Opera in three acts by Wallace. Libretto by Fitzball.
     Characters: Charles II, King of Spain; the Queen of Spain; Don José de Santarem, his prime minister; Don Cæsar de Bazan; Marquis de Montefiore; Lazarillo; Maritana, a gypsy; iMarchioness de Montefiore; nobles, aiquazils, soldiers, gypsies, townspeople.
     Place, Madrid. Time, the Seventeenth Century. First produced at London in 1845.
     King Charles II of Spain is charmed by the singing of a young gypsy, whose charms have been pointed out to the King by his minister, Don José de Santarem, an intriguer. Don Cæsar do Bazan, a reckless fellow who has gambled away all his money, and who was once the friend of the minister, is in the act of relating his misfortunes to him when they are approached by Lazarillo, another unfortunate, who tells his story and wins the sympathy and finally the friendship of the cavalier. This situation leads to a duel. Dueling, however, is forbidden during Holy Week, and Don Cæsar is led away to prison. Meanwhile Maritana, the pretty gypsy, induced by promises of wealth and an introduction at court, consents to marry Don José de Santarem.
     Don Cæsar’s spirits are not at all cast down by his imprisonment, and when Don José enters his cell, professing
{115} friendship for the reckless youth, Don Cæsar makes but one request, that he may be permitted to die as a soldier should. Don José replies that he will be permitted to live if he will submit to be secretly married. Don Cæsar consents, and the marriage rites, with the bride (who is Maritana), heavily veiled, are celebrated during a banquet.
     Lazarillo, the grateful friend of Don Cæsar, obtains a pardon for him from the King, but the parchment on which it is inscribed is hidden by Don José. After the marriage the bridegroom is led out to be shot, but Lazarillo has extracted the bullets from the guns. The soldiers do their duty, leaving Don Cæsar for dead. When alone Don Cæsar rises from the ground and hurries away to the palace of the Marquis de Montefiore, where a fête is in progress. Don José has managed to have the Marquis introduce Maritana as his niece at this fête. Don Cæsar demands his bride, and the Marchioness, closely veiled, is presented to him. Hearing Man-tans’s voice, how ever, Don Cæsar claims her as his rightful bride, but she is spirited away.
     Maritana is carried to the royal apartments, of which fact she is ignorant. Don José introduces the King as her husband. At this moment Don Cæsar comes upon them, and to cover his guilt the King declares that he is Don Cæsar de Bazan, and asks the real Don Cæsar who he may be. “If you are Cæsar de Bazan,” replies Don Cæsar, “I, then, am the King of Spain.” At this moment the King is summoned by the Queen. The bride and groom believe that the only way out of the difficulty is to appeal to the Queen. While waiting for her in the garden Don Cæsar overhears Don José tell the Queen
{116} that the King is to meet his mistress that night, whereupon Don Cæsar kills Don José for his treachery. As a reward for his loyalty the King gives him his bride, and also makes Don Cæsar governor of Granada. Upon Don Cæsar’s request the governorship is changed to that of Valencia, a province more remote from his creditors.

 

Last updated April 19, 2007